Spirituality
The Spirituality was the first joint professional project of Mitra and Mohsen. They got acquainted with environmental art through Dr. Ahmad Nadalian and started working at the same time as they were studying at the university. It was the topic that had occupied their minds for a long time. The topic was light and its connection with spirituality. All their works of art at that time unconsciously had a sign of this subject. The light has two aspects for us; the first one is the highest level of energy and it is as if all the universe benefits from its light. The second one is based on compulsion. This artwork was made by them and two other artists.
The Exhibition in Elahe Art Gallery, 2010
The Exhibition in Elahe Art Gallery, 2010 It was a presentation of photos and an installation that was held on the opening day of a performance in which light was shot at a person from inside the war cannon and captured and imprisoned with its light.
The Earth and Time, Iranian Artists Forum, 2013
They were present in this exhibition with an interactive artwork, the arrangement of which consisted of a large war cannon that emitted light from its opening and were in the form of rings that formed a halo of light around the visitors heads when they stood in front of it. A famous sentence was written on the war cannon (I dont fight darkness with a sword, but I light it on fire). This work was very well received in the Iranian Artists Forum. Perhaps the reason for the effectiveness of this arrangement in those days was that it coincided with the implementation of the strict rules of the guidance patrol by the government at that time. The duty of the guidance patrol at that time was to guide people toward salvation by force.
Travel tents
At the Tehran Environmental Art Festival, inspired by the tents that had lights on the inside, they set up tents that had wings and were flying in the sky of the city.
They have installed it on Keshavarz Blvd in Tehran.
Feshk
In 2017, the first new art festival in Iran was held in a village near Arak called Fashak where Mohsen Gholami and Mitra Arbab Saljooqhi received an invitation to participate in the festival. Most residents of Fashak village were elderly because of the migration of its young generation to big cities. In this village, their only crop was wheat and they earned income from it. In the new art project of Fashak, they decided to use the most valuable thing left for the families of this village. Meaning to create an artwork with wheat. With their own wheat, they made a crown in the form of a light halo and light radiation that protruded around their heads, they placed the crowns on the heads of the villagers and photographed the owners of this property as if the villagers had been waiting for such an event for years.